Misfits has easily been e4’s best original drama from the past two or three years but this year it was time for the asbo-superhero show to draw to a close. Now with a completely different cast from when the show started out Misfits had become a slightly confused entity. Despite this I thought series four was on of the programmes strongest overall, mainly because it took everything back to basics; the writing had become over-complicated by series three and the upheaval of cast members meant that they had to start again from scratch. With it’s fifth and final series though, Misfits badly fails to deliver.
In the past Misfits has been a eclectic mix of comedy, drama and action, every element being well thought-out and completely fresh and original. Series five however lacks the fresh-faced bite it once had. There aren’t many darker moments and only one episode of the series where we get a flash of the horror element that the show so successfully pulls off in previous seasons. The cast interaction is awkward too, and by this series it becomes impossible to look past the fact that these people actually live in the community centre and the support worker isn’t even bothered by it. The support worker, played by Shaun Dooley, it must be said is the programmes strongest character and the funniest, a dangerously insane man with homosexual tendencies that he doesn’t really know how to express but by episode eight even this joke is wearing thin. I’m also a big fan of Joe Gilgun’s Rudy and think he makes a great central character but what it comes down to in series five is the writing being off the ball. There are too many episodes that just feel like filler with the odd hint at the overall story arc that then is rushed together in the final episode and limply flops to a climax. Not to mention the fact that they kill a character off and then have him come back moments later, it seems too set on having a happy ending to let that happen, never a strong way to end something.
In the past Misfits has provided some of the best TV moments, and was one of the freshest drama ideas that has been produced in recent times so it’s a real shame that it’s final series fails to deliver and cap off what should be remembered as a very important milestone in British drama.