A Field in England

A-Field-in-England-2013-thumb-630xauto-39296A week and a half ago Ben Wheatley’s fourth feature was released across a range of platforms in a unique, holistic new approach. A Field in England was made available in cinemas, on DVD and Blu-Ray, on Video on Demand and broadcast on TV. Since I’m back in a hovel of Devon for the summer there was no nearby cinema where I could indulge in watching Wheatley’s latest so I settled for watching it on Film4. The film is very different from his past efforts being a period piece set in the English Civil War and fitting in to the experimental horror genre its a bit of a departure from his previous gritty, realistic movies but there is still his signature to be seen.

Following a small group of blokes who have broken off from their army we are taken on a horrifying journey as they find themselves lost amongst the fields with a foreboding presence lurking over them. Shot completely in black and white Wheatley makes full use of his surroundings with the crisp HD making the colours feel vivid without even being there. Throughout the films hazy plot he uses a variety of editing techniques which makes the whole movie a trippy and strange experience. And he does deliver a unique feeling of threat in an unorthodox way. A Field in England has the it’s odd flourishes of graphic violence but for the most part plays on feelings of tension and fear and works very effectively. It’s a film that demands repeat viewings to fully get your head round its aims and concepts but one that I would be very happy to watch multiple times.

While perhaps being a slightly more difficult watch than Wheatley’s first three films A Field in England adds another feather to the ever growing bow of one of the most exciting talents in film at the moment. As interesting as it is haunting this movie is fantastic.