CAGE RAGE: Industrial Symphony No.1: Dream of the Broken Hearted

Industrial Symphony No. 1 - CageWell I’m surprised I managed to find a picture of Cage from this film, seeing as the shot above is the only shot of Cage in the entire thing and it lasts for less than two minutes. It’s bizarre that this is even counted on his filmography as the initial scene is almost identical to one from Wild at Heart and then we move onto Lynch’s bizarre experimental musical performance. While this wasn’t terrible and was a great example of how Lynch creates mood and feeling in his film making using lighting, music and camera techniques at 50 minutes long and no discernible story to follow this did drag. And watching it as part of the Cage project ended up being a waste of time so it gets the first and hopefully the last N/A rating.



A Field in England

A-Field-in-England-2013-thumb-630xauto-39296A week and a half ago Ben Wheatley’s fourth feature was released across a range of platforms in a unique, holistic new approach. A Field in England was made available in cinemas, on DVD and Blu-Ray, on Video on Demand and broadcast on TV. Since I’m back in a hovel of Devon for the summer there was no nearby cinema where I could indulge in watching Wheatley’s latest so I settled for watching it on Film4. The film is very different from his past efforts being a period piece set in the English Civil War and fitting in to the experimental horror genre its a bit of a departure from his previous gritty, realistic movies but there is still his signature to be seen.

Following a small group of blokes who have broken off from their army we are taken on a horrifying journey as they find themselves lost amongst the fields with a foreboding presence lurking over them. Shot completely in black and white Wheatley makes full use of his surroundings with the crisp HD making the colours feel vivid without even being there. Throughout the films hazy plot he uses a variety of editing techniques which makes the whole movie a trippy and strange experience. And he does deliver a unique feeling of threat in an unorthodox way. A Field in England has the it’s odd flourishes of graphic violence but for the most part plays on feelings of tension and fear and works very effectively. It’s a film that demands repeat viewings to fully get your head round its aims and concepts but one that I would be very happy to watch multiple times.

While perhaps being a slightly more difficult watch than Wheatley’s first three films A Field in England adds another feather to the ever growing bow of one of the most exciting talents in film at the moment. As interesting as it is haunting this movie is fantastic.

The Vertigo of Bliss


Since all my last few posts have been film reviews and there has been a lack of interesting albums released in the last few weeks I thought I’d take the time to review an old album, furthermore, since a moth or so back I reviewed Biffy Clyro’s debut Blackened Sky I thought I’d further my back catalogue with a review of their follow-up, 2003’s Vertigo of Bliss. Aka the one with the woman fingering herself on the cover. Anyway, slightly bizarre artwork aside, let’s talk about the music.

The Vertigo of Bliss is a much more experimental album than it’s predecessor and it is, arguably, the first time Biffy manage to get themselves a unique signature sound, not discounting any good qualities of the first record, I love that album, but this is where things start to get a bit more special. Introducing ┬ávery disjointed sounds and a lot more screaming, with Vertigo of Bliss Biffy Clyro use their skilful instrumentalism to spring board off into an album that spreads into the unknown. It’s clear the band are starting to feel much more comfortable to do something more risky, add some punch and throw in some more unpredictability. ┬áThere are parts of songs that don’t even sound connected to the last section but rather than being un-listenable it somehow, on some sub conscious level, works.

It’s not 100% madness though, there are moments of real thoughtfulness on this record. Questions and Answers for example is not quite so experimental it is much more thoughtful lyrically, and much more standard musically and is one of the albums stand out tracks. Toys toys toys, choke toys toys toys is obviously the one most people remember from this album and that is perhaps the most mainstream sounding track on here, it shows a band with a great diversity though, and in many ways Toys toys toys… encompasses all the different elements that have been tossed together in the songs of this album.

As a summary of my relationship with the record I have to say, the more mainstream songs I don’t like as much as the ones on Blackened Sky whereas the more experimental tracks I don’t enjoy quite as much as the ones on Infinity Land, but Vertigo of Bliss still has something going for it. Whether it’s just an interesting album that bridges the creative gap in between Blackened Sky and Infinity Land or if it has a complete charm of it’s own I could never decide. But it is nonetheless one that everyone should listen to.

P.S. I’m excited very much for Opposites, watch this space for more Biffy reviews