Marking the first of few belated reviews that will be hitting the page soon is Aronofsky’s Biblical epic, Noah. The films received some varied reviews, and I did approach slightly apprehensively. Though I’m a huge fan of Aronofsky, the sword-and-sandal historical epic starring Russell Crowe has had more than its fair share of duds, but boring casting aside I entered with an open mind and came out pleased with what had been produced.
Telling the famous story was never going to be an easy task, not least because of the minuscule length of its source material. Obstacle one would be to stretch this short story into a two-hour screen epic. What’s been added is a battle between two groups of humans, one led by Noah and including some giant rock monsters formed by angels and the other headed by Ray Winstone and a load a sinful heathens against the destruction of the entire planet. It is, as you’d expect, absurd and slightly mad but it manages to pull it off. The characters are very well drawn particularly Noah himself who is not shown as a holier than thou know-it-all but a troubled man battling internally with what he believes he must to for his God and what he feels is right for his family. He is far from perfect and as the plot bears on it becomes more and more apparent that he may, in fact, not be the hero his family once believed him to be. He’s held in place though by his wife, Naameh (Jennifer Connelly) who provides the films standout performance in a challenging role. Emma Watson also performs as would be expected and the rest of the cast, though not brilliant, just about hold things together. I found though that what gives Noah is real quality is the pacing and build of tension which is kept throughout its run time. The fight scenes are given a sense of urgency from Mansell’s score which is repetitive but highly effective.
When every other blockbuster is a superhero movie and the ones that aren’t a sci-fi it makes for a nice change to have something Biblical and Aronofsky does a good job of keeping the action alive while honouring one of history’s oldest stories and injecting it with a style not many other directors would be capable of. While Aronofsky purist will be pining for a more artistic affair this delivers on the levels you would expect of something on this scale.